silver halide prints vs inkjet

Including six colours allows the Epson SureLab to rival continuous tone (AgX) print outputs for smoothness in skintone whilst not compromising sharpness in text. How Photographers Can Sell More Photo Prints. Via Daniel D. Teoli Jr. Let’s take a close look at the pros and cons of lab and pigment prints based on important factors. It would be nice to see the same test performed by Epson. Many screen display devices now are capable of ‘soft display’ of a much wider gamut (matched with a high contrast ratio). Inevitably the focus had to be on reducing costs rather than improving performance, as digital technology started to have an impact in the market. Neither WIR nor Aardenburg had done gas fade testing on them, and of the producers themselves, only Canon speaks openly of dye print longevity at all (some data is available on Chromalife 100+ inks and the Dreamlabo 5000 system – but there’s not a lot of information there). We are used to mixing chemistry, so it is no challenge to us, and the dark loading is simple. Hopefully this information will help guide you in making the right decision. she commented, "Oh, what a nice surface! under “what company to choose” you list four companies and then “etc”. Other factors influence how the print looks. Text on silver halide prints will always look a tiny bit more washed out. hi mate, Once the print is displayed in a typical home or office environment with both light and dark conditions, with an average level of 5PPB of ozone, the larger print will begin to deteriorate substantially and the overall image quality will degrade quickly. We do have D3000 and like it for the cut art paper finish, but prints are delicate, but not as delicate as Epson pigment ink (Ultrachrome) prints which we also offer. Not As Great For: Long-term archiving as silver halide prints don’t resist fading as well as some inkjet paper or ink combinations. Related: How To Create An Award-Winning Photo Print. With a trusted wet lab (good quality control, good color management, fresh chemistry) I see no point in selling clients pretty dry lab prints that will fade even in an album because of air pollution and ozone. While dry labs have their place I can’t see them overtaking AgX in our business any time in the near future. The latest pigment inksets for the Epson SureColor P10070 (44-inch) wide format printer, for instance, include the following 10 colours: Light Grey, Photo Black, Cyan, Vivid Magenta, Yellow, Light Cyan, Vivid Light Magenta, Dark Grey, Matte Black & Grey. I also endorse Paul’s comments about “image depth” in the prints. Not one sample of inkjet printing? But opting out of some of these cookies may have an effect on your browsing experience. In general, gas fading seems to be a problem and the coatings are brittle – much less durable than AgX papers. As far as I'm concerned, inkjet printing is a dream come true. To find out more, click on the cookie settings. Required fields are marked *. Silver Halide vs Digital Photo Books. However, be reassured that we also offer what we believe to still be the bench mark in photographic quality; silver halide prints. It’s sort of like why fewer companies want to invest in coal-fired power stations – they can see that new, more eco-friendly technology is coming. many thanks, Required fields are marked *. Another interesting snippet is that in the brochure it states “Epson does not guarantee the permanence of prints”. Cost effectively and with a proven track record. That maybe printing onto our range of Fine Art Papers or Canvas via inkjet, or duplex press printed products such as Greeting Cards, Photobooks, Flyers and promotional products. The announcement by Fujifilm US at the IPIC conference in Las Vegas last month of a new silver halide paper with (fairly vague) claims of a broader colour gamut prompted us to ask leading independent supplier of photographic paper, iPhoto, how the various photo printing technologies stack up in terms of colour range performance. But when I showed some prints to a traditional printmaker (as in etching metal plates, etc.) If some one wishes expert view about running a I made 1000's of "art" color and b&w prints in the 70's. We have seen comparisons done by Kodak where the silver halide prints look a whole lot better than the inkjet ones after exposure to Ozone, but obviously there are 2 sides to every story. These DG chemistry products are also being regulated out of some world markets now due to environmental concerns surrounding the shipping, storage and distribution of hazardous chemistry, increasing the costs on an already sunset technology. On that point inkjet technology, or more specifically dry minilabs, could still have a potential card up their sleeve should companies like Epson ever choose to add Light Black (L/bk) or Light, Light Black (L/lbk) ink cartridges to expand and improve monochrome tonal performance. Toni. if there’s more than those four, then i want to research them as well. We have seen comparisons done by Kodak where the silver halide prints look a whole lot better than the inkjet ones after exposure to Ozone, but obviously there are 2 sides to every story. Your email address will not be published. Silver halide has a gamut closer to the sRGB colour space. The side-benefit will be a smaller equipment footprint, much higher speed and fewer moving parts, resulting in improved duty cycles. ), the inkjet machines are becoming quicker (Noritsu Green 2 can manage 950 4×6 prints in an hour), the colour has more punch, and they’re smaller and cheaper. Learn how your comment data is processed. (In fact, the micro piezo head produces droplets as small as 1.5 picolitres for sharper text than is possible with AgX technology. Far more important are the strengths that AgX paper provides, namely consistency, handleability, volume output capacity and realistic skin tones. What’s the difference? It's all the way you look at things. AgX probably hit its limit around the release of the Digital LED/laser exposure technologies in the late 1990s/early 2000s (replacing optical enlargers in minilabs) and is limited by the ability of emulsions and chemicals to produce a greater gamut and finer grain. Contrast may be lower as well. blog after that i advise him/her to visit this website, Keep up the fastidious job. iPhoto: Investing to further develop AgX technology is somewhat risky considering the shrinking user base, and rapid development of inkjet and other dry technologies. Sometimes labs send the recovered silver to a refiner for processing. Vintage C-Print (left); Inkjet Print (right). ... Keep in mind that silver halide crystals are converted to metallic silver as part of the paper development process, which is removed during the bleach/fix steps. Travel books are mixture of beautiful landscapes, portrait, architecture photography and text/memorabilia. The relatively large colour gamut of Indigo printing might surprise some readers – by the chart it looks to perform better than AgX – any comments on how that relates to ‘real world’ printing? Display-P3 and AdobeRGB have a similar gamut and are significantly wider than sRGB, which has been the default standard colour space until now. IPS have shown us all the stats from Epson, but as Trevor mentioned, the defining factor seems to be exposure to Ozone and Epson/IPS seem to be a bit grey in this area. Inkjet technology that would have to have the most potential, considering the recent advances. This site uses Akismet to reduce spam. Small prints are for being handled, and we want to give them the best durability as well as image stability. WPPI Prizewinners Dissect Their Print Choices Some interesting points on discussion here. The main difference is that while in the silver halide method chemical reactions create the image, in digital prints ink/dye is transferred from a medium onto the paper (print head in inkjet printers or rollers in offset printers). The quality, and consistency of our prints is better than it was on our old lab, using the same Kodak Professional Digital paper. As a community we print photographs to preserve memories of our life, the emotional value of the photograph increases with time. Silver Halide is a 100 year old technology that keeps on getting better. What was seen in at Kodak R&D in AgX film and paper in the 1990s produced diminishing returns as the technology reached its limits. iPhoto: The gamut chart does not tell the whole story: It is a measurement of the gamut at the midpoint of lightness only. We respect that professional photographers prepare their files to a known outcome and the sure lab massaged the files, not giving the predicted result. 2. statements about the archival nature of prints rarely involve durability, and the reality is, durability is critical.

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